Bibliography

1988

Shone, Richard: 'London Summer Exhibitions', The Burlington Magazine, August, vol.CXXX, no.1025, p.646

Craddock, Sacha: 'The fast Dockland track to

simplicity', The Guardian, 13 September

Jeffrey, Ian (intro.): 'Platonic Tropics', Freeze

(catalogue), Surrey Docks, London

 

1989

Shone, Richard: 'Ian Davenport, Gary Hume, Michael Landy', The Burlington Magazine, January, vol.CXXXI, no.1030, p.56

Archer, Michael: 'Ian Davenport, Gary Hume, Michael Landy at Karsten Schubert Gallery', Artforum, February, vol.XXVII, no.6, p.147

Bulloch, Angela: 'Freeze', Art & Design, vol.5, no.3/4, pp.52-53

'British Artists Under 40', Art & Design, vol.5, no.3/4, p.83

 

1990

Graham-Dixon, Andrew: 'Pupils of the cool school', The Independent, 30 January

Hilton, Tim: 'Home groan', The Guardian, 31 January

Gillick, Liam: 'Ian Davenport', Artscribe, March/ April, no.80, p.57

Bush, Kate: 'The British Art Show 1990, McLellan Galleries', Artscribe, May, no.81, p.71

Carter, Miranda: 'The Tote Gallery', Harpers & Queen, August, pp.96-99

Bevan, Roger: 'Ian Davenport', Galleries, October, p.22

Graham-Dixon, Andrew: 'Leaving a mark', The Independent, 9 October

Kent, Sarah: 'Ian Davenport - Waddington's', Time Out, 10-17 October, p.39

Jennings, Rose: 'Ian Davenport - Waddington's', City Limits, 11-18 October

Feaver, William: 'Hear hear, O Israel', The Observer, 14 October

Hicks, Alistair: 'New star's course seems all too predictable', The Times, 19 October

Beaumont, Mary Rose: 'Ian Davenport - Waddington Galleries', Arts Review, 19 October, pp.560-561

Auty, Giles: 'Capricious climates', The Spectator, 20 October

Williams, Joseph: 'Creative accountancy', The Times, 23 October

Cornall, John: 'Minimal Realism in The British Art Show 1990', London Magazine, October/November, vol.30, nos.7&8, pp.122-126

Graham-Dixon,Andrew: 'Young Turks and Old

Masters', Art News, November, p.124

Shone, Richard: 'London, Davenport at

Waddington', The Burlington Magazine, November, vol.CXXXII, no.1052, pp.804-5

Juncosa, Enrique: 'Ian Davenport', Lapiz, November, issue no.72, p.73

Kaneda, Shirley: 'Painting Alone', Arts Magazine, December, vol.65, no.4, p.84

Bevan, Roger: 'Abstract', Antique and New Art, Winter, pp.138-139

Rosenthal, Norman: Ian Davenport (catalogue), Waddington Galleries, London

Crone, Rainer and David Moos: Painting Alone (catalogue), Pace Gallery, New York

Davenport, Ian: 'Notes on Painting', The British Art Show 1990 (catalogue), South Bank Centre, London

 

1991

Feaver, William: 'Ian Davenport: Waddington', ARTnews, January, p.170

Renton, Andrew: 'Ian Davenport - Waddington', Flash Art International, January/February, vol.XXIV, no.156, p.137

InterAlia (Dave Beech and Mark Hutchinson): 'Ian Davenport at Waddington Galleries', Artscribe, January/February, no.85, pp.75-6

Rankin-Reid, Jane: 'Painting Alone', Artscribe, January/February, no.85, pp.85-86

Lillington, David: 'Ik doe steeds minder en de

verf steeds meer', Metropolis M, February, no.1, pp.45-47

Hall, James: 'London: Artists Explore the Nature

of Power', Art International, Spring/Summer, p.71

Graham-Dixon, Andrew: 'Ian Davenport's supremely simple paintings are masterpieces of Surface Tension', Vogue, April, pp.204-207

Dannatt, Adrian: 'Big lights, bright city', The Times Saturday Review, 13 April

Gillick, Liam: 'The Placebo Effect: Some Art in Britain', Arts Magazine, May, pp.56-59

Shone, Richard: 'Profile: Young, gifted and painting it black', The Times Saturday Review, 4 May, p.18

Dorment, Richard: 'A prize turnabout', The Daily Telegraph, 16 July, p.14

Gale, Iain and Dalya Alberge: 'Youth and beauty?', The Independent, 16 July, p.17

Hall, James: 'Pure Gold(smiths')', New Statesman & Society, 2 August, pp.50-51

Auty, Giles: 'Breath of Ayr', The Spectator, 3 August, p.37

Bernard, Bruce: 'Salvage from the Wreck', The Independent Magazine, 3 August, pp.36-39

Packer, William: 'The diminishing value of novelty', The Financial Times, 6 August

Hall, Charles: 'Tests of raw nerves', The Sunday Times, 11 August

Hilton, Tim: 'Composition with old hat', The Guardian, 14 August, p.30

Kent, Sarah: 'Breaking Ground', Time Out, 14 August

Collings, Matthew: 'ART reviews', City Limits, 15 August, p.18

Barwick, Sandra: 'No no no! said the general public', The Independent, 24 August

Stock, Jon: 'Acclaim for the Class of '88', The Daily Telegraph, 29 August, p.15

Interview with Ian Davenport from article 'Abstract Art Now: The European Situation', The Journal of Art, September, vol.4, no.7, p.26

Rainbird, Sean: 'Ian Davenport', The Turner Prize 1991 (broadsheet), Tate Gallery, London

Morgan, Stuart: 'The Turner Prize...this year's shortlist, its past failings and future alternatives', Frieze, vol.1, October/November, pp.4-7

Morgan, Stuart: 'Ian Davenport', Frieze, vol.1, October/November, p.7

Bevan, Roger: 'Controversy over the Turner Prize short-list', The Art Newspaper, no.12, November

Bevan, Roger: 'The Turner Prize', Galleries, vol.IX, no.6, November

Feaver, William: 'notices...The Prize Fight', Vogue, 1 November

Cohen, David: 'A new generation driven beyond abstraction', The Times Saturday Review, 2 November, pp.14-15

Cork, Richard: 'Give the prize to Kapoor', The Times Saturday Review, 2 November, pp.15,17

Sewell, Brian: 'Mockery nook', The Evening Standard, 7 November, p.30

Cork, Richard: 'Young, gifted and rising too fast', The Times, 8 November, p.14

Feaver, William: 'Gerhard Richter's shades of grey, may times removed', The Observer, 10 November, p.57

Kent, Sarah: 'Prize Fighters', Time Out, 13-20 November

Auty, Giles: 'The Cringe before the binge', The Spectator, 16 November, pp.57-58

Hall, James: 'New kids on the block', New Statesman and Society, 22 November, pp.36-37

McEwen, John: The Sunday Telegraph, 24 November, p.13

Farson, Daniel: 'Trendies set in concrete', The Mail on Sunday, 24 November, p.41

Sewell, Brian: 'Suspicion and distrust step into the picture', The Daily Telegraph, 26 November

Packer, William: 'The changing expectations of the Turner Prize', The Financial Times, 26 November

Hilton, Tim: 'The £20,000 game of charades', The Guardian, 26 November

Graham-Dixon, Andrew: 'Je m'accuse', The Independent, 26 November

Knight Bruce, Rory: 'Lashings of champagne and streams of consciousness', The Evening Standard, 27 November

Sewell, Brian: 'assesses the Turner Prize finalists', The Evening Standard, 27 November, p.19

Lister, David: 'Art prize launched into illusory space', The Independent, 27 November, p.6

Dutt, Robin: 'Glittering prizes and endless compromises', What's On In London, 27 November, p.19

Hall, Charles: 'Turner Prize 1991', Arts Review, vol.XVLIII, no.24, 29 November

Andreae, Christopher: 'Art Prizes: Outdated idea or Useful Tool?', The Christian Science Monitor, December

van den Boogerd, Dominic and David Lillington: 'Cool, clean and clever', Metropolis M, December, no.6, pp.40-43

Jeffrey, Ian: 'Hot Properties', London Magazine, vol.31, nos.9 & 10, December/January 1992, pp.117-120

Packer, William: 'Just So: The Turner Prize', Modern Painters, Winter, vol.4, no.4, p.9

Graham-Dixon, Andrew: Broken English (broadsheet), Serpentine Gallery, London

Metropolis (catalogue), Martin-Gropius Bau, Berlin

Renton, Andrew and Liam Gillick (ed.): Technique Anglaise: Current Trends in British Art, Thames and Hudson, One-Off Press, London

 

1991-92

Confrontaciones, Arte ultimo britanico y espanol

(catalogue), Instituto de la Juventud, Madrid

 

1992

'In den Farbfeldern versunken', Westdeutsche

Zeitung (German), 18 February

H.A.N.: 'Archaische, fast spröde Abstraktionen', Rheinische Post (German), 27 February

Reinke, Klaus U.: 'Galerien: Abstrakte Malerei und conceptuelle Skulptur', Handelsblatt (German), 17 March

Bacon, George: 'Segal per Roosevelt, la macelleria di Kiki Smith, l'escordio di Davenport, Judd e Flavin', Il Giornale dell'arte, no.100, March, p.89

Madoff, Steven Henry: 'A New Lost Generation', ARTnews, vol.9, no.4, April, pp.72-77

Cotter, Holland: 'Ian Davenport at Paul Kasmin', The New York Times, 12 June

Figee, Thea: 'Stomme' schilderkunst bewijst dat schilderen nog leeft', Utrechts Nieuwsblad, 20 July

Hoek, Els: 'Het domme schilderij is zwart, of anarchistisch of schildert zichzelf', De Volkskrant, 20 July

Peeters, Mark: ''Domme Kunst' luidt tijd in van nieuwe abstracties', NRC Handelsblad, 24 July

van Veelen, Ijsbrand: 'Gezapigheid is verward met verstilling en poëzie', Parool, 13 August

Pardee, Hearne: 'Davenport at Paul Kasmin', ARTnews, October, vol.91, no.89

Burley, Leo: 'Loser takes it all', The Independent, 3 November

Hall, James: 'The Year of the Shark', ARTnews, vol.91, no.10, December, pp.72-73

New Voices: New Works for the British Council Collection (catalogue), The British Council

Ian Davenport (catalogue), Galerie Ludwig, Krefeld, Germany; Galerie Michael Haas, Berlin; Galerie Limmer, Freiburg, Germany

 

1993

Bernard, Kate: 'Tempera fugit', Harpers & Queen, March, pp.150-53,154

Gleadell, Colin: 'Art Market: Degrees of Exposure', Galleries, June, vol.XI, no.1, p.20

Bevan, Roger: 'London: Dealers & Galleries', The Art Newspaper, June, p.34

Lillington, David: 'Dulux dogged', Time Out, 16-23 June

Gayford, Martin: 'Gallery Round-Up', The Daily Telegraph, 23 June

Packer, William: 'Master pourer of thick paint', The Financial Times, 29 June, p.13

Auty, Giles: 'Paint's potential', The Spectator, 3 July

Hall, Charles: 'No Head for Figures', Art Review, July/August, pp.32-35

Hedley, Gill and Brett Rogers: 'New Voices' - British Painting: A Selection 1989-1992/'Noves Veus' - Pintura britanic: Una seleccio 1989-1992 (catalogue: English/Catalan) (translated to Catalan by Eva LLorens), The British Council

Shone, Richard: Ian Davenport (catalogue), Waddington Galleries, London

 

1994

Spiegel, Olga: 'New British Painting at the Centre d'Art S. Monica', La Vanguardia, 19 March

Juncosa, Enrique: 'New Voices British Painting 1989-1992', El Pais, 3 April

San-Millan, Marga R.: 'Arte vanguardista, libre de complejos', El Mundo del Pais Vasco, 4 May

Wilson, Wade: 'A linear perspective with pared-down parameters', Fort Worth Star - Telegram, 5 June

Kutner, Janet: 'Deep tones in a narrow range', The Dallas Morning News, 18 June

Hall, James: 'Abstracted Brits', The Guardian, 8 August

Hilton, Tim: 'A brush with the unexpected', The Independent on Sunday, 14 August, p.21

Auty, Giles: 'Hermetic Society', The Spectator, 20 August, p.38

Gayford, Martin: 'Only the descriptive details have been left out', The Sunday Telegraph, 28 August

Packer, William: 'Abstract virtues', The Financial Times, 30 August

Searle, Adrian: 'Hi-ho, hi-ho, off to work they go', The Independent, 30 August

Myerson, Clifford: 'On Painting I', Art Monthly, no.179, September, pp.13-16

Muller, Brian: 'On Painting II', Art Monthly, no.179, September, pp.18-20

Corbin, Simon: 'British Abstraction - Flowers East Gallery', What's On In London, 7 September

Muller, Brian: 'A Real Art, New Modernism, British Reflexive Painters in the 1990's', Art Line Magazine, vol.6, no.2, pp.36-43

Robertson, Bryan (intro.): British Abstract Art Part 1: Painting (catalogue), Flowers East, London

 

1995

Searle, Adrian: 'Any colour you like as long as it's a joke', The Independent, 4 April

Hilton, Tim: 'Fate, hopelessness, little clarity', The Independent on Sunday, 9 April

Feaver, William: 'From the sublime to the ridiculous', The Observer, 9 April

Gayford, Martin: 'The medium that refused to die', The Daily Telegraph, 12 April

Coomer, Martin: 'From Here', Time Out, 19-26 April

Archer, Michael: 'Licensed to Paint', Art Monthly, no.186, May, pp.8-10

Muller, Brian: 'Real Art - A New Modernism: British Reflexive Painters in the Nineties', Art Press, no.202, May, pp.51-55

'Degrees of Importance', Art Review, June, p.24

Maloney, Martin: 'London: Current British art', The Burlington Magazine, no.1007, vol.CXXXVII, June, pp.405-7

Jackson, Kevin: 'the colours of money', Arena, July/August, pp.64-68

Wilson, Andrew: 'Breaking Content from Form', Art and Design: British Art - Defining the 90s, Academy Editions, London, pp.7-19

Wilson, Andrew (intro.): From Here (catalogue), Waddington Galleries and Karsten Schubert, London

Simpson, Michael: Northern Young Contemporaries (catalogue), Whitworth Art Gallery, Manchester

Muller, Brian (intro.): Real Art - A New Modernism: British Reflexive Painters in the 1990s (catalogue), Southampton City Art Gallery

Searle, Adrian (intro.): New Voices (catalogue - revised edition), The British Council

 

1996

Maloney, Martin: 'Southampton and London: Current abstract painters', The Burlington Magazine, January, pp.45-46

O.R.: 'Ian Davenport', Technikart, no.4, April-May, p.56

Stiftel, Ralf: 'Die Schönheit kehrt zurück',

Westfälischer Anzeiger (Germany), 26 July

Wiese, Heidi: 'Schönheit ist wieder erlaubt', Westfalen-Blatt (Germany), 26 July

Lüddemann, Stefan: 'Kühle Bildstrategien', Neue Osnabrücker Zeitung (Germany), 27 July

Strecker, Manfred: 'Unbeschwert malen', Neue Westfälische (Germany), 27 July

'Bielefelder Kunsthalle ist ein Leuchtturm der Region', Westfalen-Blatt (Germany), 29 July

Müller, Michael-Georg: 'Geschüttelte Farben und grosse Formate', Westfälische Rundschau (Germany), 2 August

Thiede, Veit-Mario: 'An rosa Schokolade glauben', Trierischer Volksfreund (Germany), Trier, 10-11 August

'Around the galleries: Still room for a thin line', The Times, 17 September

Coomer, Martin: 'Ian Davenport: Waddington/Ridinghouse Editions', Time Out, 2-9 October

Maloney, Martin: 'On Process Art: Mono 2000', Artforum, October, vol.XXXV, no.2, pp.36-37

Wilson, Andrew: 'Ian Davenport', Art Monthly, no.200, October, pp.55-57

Lucie-Smith, Edward: 'Critic's Diary', Art Review, November, p.18

Archer, Michael: 'Ian Davenport: Waddington

Galleries/Riding House Editions', Artforum, November, vol.XXXV, no.3

Packer, William: 'A talent for the derivative', The Financial Times, 12 November

Feaver, William: 'Crooked Style', The Observer, 17 November

Graham-Dixon, Andrew: 'On the surface', The Independent, 19 November, pp.4-5

Cork, Richard: 'Paint your bandwagon', The Times, 31 December

Wilson, Andrew: 'The Vision Thing', Art Monthly, no.202, December 96-January 97, pp.7-9

Juncosa, Enrique, Arthur C. Danto and Demetrio Paparoni (essays): nuevas abstracciones (catalogue), Museo Nacional Centro de Arte Reina Sofía, Madrid/Museu d'Art Contemporani de Barcelona

Danto, Arthur C. and Enrique Juncosa (essays): abstrakte Malerei heute/nuevas abstracciones (catalogue), Kunsthalle Bielefeld

Robson, Gavin: Ace! Arts Council Collection new purchases (exhibition broadsheet), South Bank Centre, London

Shone, Richard: 'Ian Davenport', 50 Jahre Kunst- und Museumsverein Wuppertal (catalogue),

Kunsthalle Barmen, Wuppertal-Barmen, Germany

Davenport, Ian (artist's statement): 'Statements: Waddington Galleries', Art 27 '96 (catalogue), Basel

Maloney, Martin (intro.): Ian Davenport New Paintings (catalogue), Waddington Galleries, London

Elliott, David (intro.): About Vision: New British Painting in the 1990s (catalogue), Museum of Modern Art, Oxford (includes artist's statement)

Bonn, Sally: L'Art en Angleterre 1945-1995, Nouvelles Editions Françaises, Paris

 

1997

Lambirth, Andrew: 'Fashion parade', The Spectator, 4 January, pp.40-41

'A brush with genius: Ian Davenport on Claude Monet's Water-Lilies', The Guardian, 14 January, p.13

Shone, Richard: 'Oxford: About Vision', The Burlington Magazine, March, pp.208-209

Rondi, Joëlle: 'About Vision', Art Press, no.222, March, pp.64-65

Bevan, Roger: 'Babes in arms: Forty under Forty', The Art Newspaper, no.67, February, pp.23-26

Roos, Renate: 'Spiel mit der Farbe in Raum und Zeit', Kölner Stadt-Anzeiger, no.72, 26 March, p.12

Hucht, Margarete: 'Bilder, in denen man sich spiegeln kann', Kölner Kultur, 2 April

MacMillan, Duncan: 'Too tight a corner for painting', The Scotsman, 14 April

M.Z.: 'Ian Davenport: Valentina Moncada', Anno, XIII, no.40-41, Autumn

Di Genova, Arianna: 'Ian Davenport', Il Manifesto (Rome), 9 November

Pieroni, Augusto: 'Intervista a Ian Davenport', Artel, No.72, 16-30 November

Thau, Eva: 'Davenport e la monocromia', Time Out (Italian edition), November

Patrick, Keith: 'Editorial', Contemporary Visual Arts (special focus: the condition of painting), issue 15, pp.13-15

Mulder, Jorge and Rui Sanches (intro.): Treasure Island (catalogue), Calouste Gulbenkian Foundation, Lisbon, pp.262-263

Collings, Matthew: Blimey!, 21 Publishing, Cambridge

Button, Virginia: The Turner Prize, Tate Gallery Publishing, London

 

1998

Patel, Kam: 'Brit Art's foundation figure', The Times Higher, 6 February, pp.18-19

Pieroni, Augusto: 'Ian Davenport: Galleria Moncada, Roma', Tema Celeste, March

The Courier & Advertiser (Dundee), 22 August

Polinaires, Cléan: 'Davenport: La Maîtrise du Hasard', Beaux-Arts (Paris), no.172, September, p.26

Symons, Sophie (intro.): Elegant Austerity (catalogue), Waddington Galleries, London

Symons, Sophie (intro.): Ian Davenport (catalogue), Galerie Xippas, Paris

 

1999

Moszynska, Anna: 'Jackson Pollock Revisited', Contemporary Visual Arts, issue 22, pp.46-53

'Painters on Pollock', tate: the art magazine, issue 17, Spring, pp.32-33 (includes artist's statement)

Jeffrey, Moira: 'Magic and gloss', The List, 13-27 May, p.72

Mahoney, Elisabeth: 'Good enough to eat', Scotland on Sunday, 23 May, p.9

MacMillan, Duncan: 'Let it pour', The Scotsman, 2 June, p.19

Mahoney, Elisabeth: 'Ian Davenport', Art Monthly, June, p.38

Januszczak, Waldemar: 'Picture this', The Sunday Times, 23 May

Brown, Helen: 'Ideas in the abstract', The Courier, 4 June

Holthof, Marc: 'Kunst in Knokke', Knack Magazine, Knokke, 4-11 September. p.16

Lambrecht, Luk: 'Kunst in Knokke', De Morgen, September 

Watkins, Jonathan (intro.): Ian Davenport Paintings (catalogue), Dundee Contemporary Arts, Dundee

Examining Pictures: exhibiting paintings (catalogue), Whitechapel Art Gallery, London

Robertson, Bryan (intro.): A Line in Painting - Part One - British Art (catalogue), Gallery Fine, London

Cork, Richard (intro.): John Moores 21: exhibition of contemporary painting (catalogue), Walker Art Center, Liverpool

Stallabrass, Julian: High Art Lite. British art in the 1990s, Verso, London, New York

 

2000

Ellis, Samantha: 'Ian's an arc angel', Evening Standard, 26 January, p.55

Jones, Jonathan: 'Ian Davenport', The Guardian Guide, 27 January, p.19

Glover, Izi: 'Ian Davenport', Time Out Magazine, 9-16 February

Buck, Louisa: 'Our choices of London contemporary galleries', The Art Newspaper, February, no.100, p.66

Shone, Richard: 'Davenport, Maloney, 'Psycho'', The Burlington Magazine, April, p.248

Feaver, William: 'Ian Davenport: Waddington Galleries', ARTnews, May, p.238

Sandbye, Meite: 'Fascination Af Farver', Weekendavisen, 1 July

'Artistic Genre Bending Near Nyhavn', The Copenhagen Post, The Week (supplement), 7-13 July

Hornung, Peter M.: 'Mellen renhed og intethed', Lordag, 8 July

Jorgensen, Tom: 'Intere Nyt Under Solen', Ekstra Bladet, 10 July

Brown, Neal: 'Doorways to Heaven', Art Review, November, pp.50-51

Clark, Robert: 'Ian Davenport', The Guardian Guide, 11 November

Clark, Robert: 'Ian Davenport: Tate Liverpool', The Guardian (reviews), 16 November

Bracewell, Michael: 'I am very good at pouring paint', Independent on Sunday, 10 December

Holman, Martin: 'The results always surprise me: Ian Davenport's paintings', London Magazine, vol.40, nos.9 & 10, December-January 2001, pp.63-69

Bracewell, Michael (essay): Ian Davenport: Large Scale Paintings (catalogue), Waddington Galleries, London

Bogh, Mikkel (essay): Fact & Value (catalogue), Charlottenborg Udstillingsbygning, Copenhagen, Denmark

 

2001

Darwent, Charles: '2001 Jerwood Painting Prize', Metro, 4 May

Collings, Matthew: 'Many Marvels', Modern Painters, May, pp.72-75

Boston, Virginia: 'Paints & Brushes First', Artists & Illustrators, July, p.62

Cameron, Neil: 'The art award which fails to convince', The Scotsman, 10 July, p.12

Lynton, Norbert (essay): Jerwood Painting Prize 2001, Jerwood Gallery, London

Collings, Matthew (essay): British Abstract Painting 2001, Flowers East, London

Herbert, Martin (essay): Complementary Studies: Recent Abstract Painting (catalogue), Harris Museum and Art Gallery, Preston

 

2002

Ryan, David (intro.) and Andrew Wilson (essay): Talking Painting. Dialogues with 12 Contemporary Abstract Painters, Routledge, London and New York, pp.23-42

Schwabsky, Barry (intro.): Vitamin P: New Perspectives in Painting, Phaidon Press, London and New York

Peintures - contrainte ou recette (catalogue), L'Ecole des Beaux-Arts, Rennes

Livingstone, Marco (essay): Jerwood Drawing Prize 2002 (catalogue), Jerwood Space, London

Abstraction (catalogue), Ingleby Gallery, Edinburgh

 

2003

Cumming, Laura: 'British bullseye', The Observer Review, 2 March

'Exhibition of the week: Days Like These', The Week, 8 March

Hirst, Christopher: 'The Weasel', The Independent, 15 March

Denny, Ned: 'Variety show', New Statesman, 17 March

Morton, Tom: 'Days Like These', Tate, March/April, pp.74-77

'Days Like These: Contemporary British Art 2003', Londinium, March/April

Herbert, Martin: 'Days Like These: Tate Triennial of Contemporary British Art 2003', Art Monthly, no.265, April, pp.22-23

Patrick, Keith: 'Tate Triennal: Days Like These', Contemporary, issue 50, pp.80-81

Exodus review, Pluk, June, p.18

Clark, Robert: 'Exodus', The Guide, 21 June, p.34

Exodus review, Contemporary, issue 53/54, July/ August, p.32

Burnett, Craig: 'Previews, Austen in the Desert', Modern Painters, Summer, p.127

Darwent, Charles: 'It's not as easy as it looks', Independent on Sunday, 6 July, p.10

MacFarlane, Robert: 'Peaks of Faith', Times Literary Supplement, 7 July

Healy, Jim: 'Mirror opposites', What's on in London, 9 July, p.23

Searle, Adrian: 'Lost in space', The Guardian, 15 July, pp.12-13

Kent, Sarah: 'Ian Davenport', Time Out, 16 July, p.55

Mead, Andrew: 'Double vision', The Architect's Journal, 17 July, p.51

Hubbard, Sue: 'The sands of time', The Independent Review, 22 July, pp.14-15

Pitman, Joanna: 'Bible Lessons',T2, The Times, 22 July, p.19

Lack, Jessica: 'Promised land', RA Magazine, Summer, p.26

'Lines of Influence', RA Magazine, Summer, p.21

Campbell, Jane: '50 best tips for investing in art', The Independent, 25 October, pp.4-11

Jeffrey, Moira: 'Painter is really pouring it on', The Herald, 21 November

Mullins, Charlotte: 'From Bee Gees to Brushstrokes', The Financial Times, 18 November

Days Like These: Tate Triennial of Contemporary British Art 2003 (catalogue), Tate Publishing, London

Batchelor, David (conversation with Ian Davenport), Ian Davenport: New Paintings (catalogue), Waddington Galleries, London

Downey, Anthony (essay): Exodus: between promise and fulfilment (catalogue), Kettle's Yard, Cambridge

Ian Davenport (catalogue), Ingleby Gallery, Edinburgh

 

2004

Grimley, Terry: 'Get in line to view new art', The Birmingham Post, 19 April

Tan, Sharlene, 'When he pours he paints', Streats, 9 June, p.28

'Ian Davenport, Ikon Gallery', Art Forum, September, p.113

Prichard, Caroline: 'Ian pours a lot into art', Coventry Evening Telegraph, 17 September, p.67

Brooks, Justine: 'Neon drippings of artistic talent', Metro, 21 September, p.18

Grimley, Terry: 'A splash of colour', The Birmingham Post, 22 September, p.12

'Ian Davenport', The Guardian, 25 September, p.36

'Goldsmith College Artist Exhibits At Birmingham Gallery', What's On, October, p.43

Chapman, Peter: 'Ian Davenport', The Independent, 2 October, p.15

'Ian Davenport', Concept for Living, November, issue 72, p.29

Tan, Eugene, Painting as Process: Re-evaluating Painting (catalogue), Earl Lu Gallery, LASALLE-SIA College of the Arts, Singapore

Other Times: Contemporary British Art (catalogue), City Gallery, Prague (in association with the British Council)

Watkins, Jonathan and Tony Godfrey: Ian Davenport (catalogue), Ikon Gallery, Birmingham

 

2005

Muller, Robert-Jan: 'Ian Davenport: Orkestreren', Kunstbeeld, 04, pp.14-17

Delaney, Barry (editor): A Celebration of 20 Years of The Groucho Club, The Groucho Club, London

'Artnotes: Pouring', Art Monthly, March, pp.17-18

 

2006

'Art installation to brighten Southwark Street

railway bridge', londonse1 community website, 12 January

Arendt, Paul: 'Brainwaves: Syringe Art', G2, The Guardian, 2 March

Southwark Council and Land Securities commission Ian Davenport's 'Poured Lines: Southwark Street', Land Securities and Southwark Council, London

Davies, Serena: 'Dance to the music of lines', The Telegraph, 'Arts', 19 August, p.6

Davenport, Ian: 'In the lines of Duty', FT Magazine, 26 August, pp.34-37

Mullins, Charlotte: 'Earning his stripes: artist with tunnel vision', The Times The Knowledge, 26 August, pp.34-35

McCann, Paul: 'Strip club', Wallpaper, September, pp.122-123

Limited edition magazine cover, Wallpaper, September

BBC London Ten O'Clock News, 5 September

Teodorczuk, Tom: 'Double yellow lines (and blue, red, pink...)', Evening Standard, 5 September, p.3

Breakfast News/Lunchtime news/Evening News, BBC London, 5-6 September

Teodorczuk, Tom: 'Tate lines up Bankside Mural', Evening Standard, 6 September

'The big picture', BBC online, 6 September

'Tunnel art', Thelondonpaper.com, 6 September

'Art on a grand scale is lined up by Tate Modern', The Times, 7 September

'Outdoor exhibit goes the distance', South London Press, 8 September

'Ian Davenport: London', The Guide, The Guardian, 16-22 September

'Southwark Street artwork unveiled', www.london-se1.com, September

Ian Davenport Ovals Arches Lines (catalogue),

The Alan Cristea Gallery, London

Monochromed (catalogue), The Fine Art Society, London

Wilding, Alison (ed.) and Tom Phillips: Royal Academy Illustrated 2006, Royal Academy of Arts, London

Sardo, Delfim (editor): Pintura Redux Desenvolvimentos na Última Década, Colecção de Arte Contemporãnea Público Serralves, Portugal

 

2007

Friedman, Thomas L.: 'The Power of Green', The New York Times Magazine, 15 April, pp.40-51, 61 & 71

A Summer Selection (exhibition catalogue), Crane Kalman Gallery, London

 

2007-08

Luke, Ben: 'In the Studio: Ian Davenport Thinking Big', Art World, December/January, pp.136-141

Herbert, Martin: Between the Lines (catalogue), Gallery Hakgojae, Seoul, Korea

 

2008

'Ian Davenport', www.spoonfed.co.uk

Sumpter, Helen: 'In the studio: Ian Davenport', Timeout, 13-19 February, p.64

Oh, Jean: 'Leading young British artist shows in Seoul', The Korea Herald, 14 March

Chadwick, Alan: 'Five questions for Ian Davenport' Metro, 25 April

Black, Catriona: 'The Odd Couples', Sunday Herald, 9 September

Whitfield, Sarah: Ian Davenport: Poured Lines

(catalogue), Waddington Galleries, London

Godfrey, Tony: Ian Davenport (catalogue), Gallery Hakgojae, Seoul, Korea

Griffin, Jonathan: Blitzkrieg Bop (catalogue), Man&Eve Gallery, London

 

2009

'Diary: the right lines', Fabric, March

'Ian Davenport: Fabstraction', thelondonpaper, 3 March, p.16

'Ian Davenport: Etched Lines', www.spoonfed.co.uk, 4 March

'The Art', ES Magazine, 6 March

'Davenport', www.pulse-uk.org.uk, 19 March

'Between the lines', Printmaking Today, vol.18, no.1, Spring, p.7

Cleaton-Roberts, David: Ian Davenport Fabstraction, New editions and monoprints (catalogue), Alan Cristea Gallery, London

'How I paint: Ian Davenport', The Observer, 20 September, p.59

Bishop, Sophie: 'Colour Scheme', Mayfair Times, October, p.16

Luke, Ben: Ian Davenport: Puddle Paintings

(catalogue), Waddington Galleries, London

'Ian Davenport at Waddington Galleries through to November 7th', www.fadwebsite.com, 23 October

 

2010

'Ian Davenport and David Shrigley head artist

pilgrimage to Macclesfield church for Save Us', www.culture24.org.uk, 23 June

Chambers, Stephen (ed.): Royal Academy Illustrated 2010: A Selection from the 242nd Summer Exhibition, Royal Academy of Arts, London

Craig-Martin, Michael: Art: curated by Michael Craig-Martin (catalogue), Galerie Haas & Fuchs, Berlin

 

2011

'Cultural Calendar', The Wall Street Journal, 20-22 May

Wullschlager, Jackie: 'Gravity's Rainbow', The Financial Times, 21/22 May

Clark, Robert: 'Exhibitions: Gravity's Rainbow', The Guardian Guide, 21-27 May

'Masterwork: Wall of many colours', The Scotsman, 23 May

Cooper, Neil: 'Group Show: Gravity's Rainbow', The List, 21 July-4 August

Ian Davenport (catalogue), Galerie Hopkins, Paris

Stanley, Michael: Ian Davenport: Quick Slow Quick Quick Slow (catalogue), Waddington Custot Galleries, London

Godfrey, Tony: Ian Davenport: Prismatic (catalogue), Alan Cristea Gallery, London

'Making a splash', Mayfair Times, October, p.30

 

2012

Song, Berwin, 'Earning his Stripes', Time Out Singapore, May

'Linear Space', Tatler, May

'Ian Davenport: Between the Lines', Lifestyle Asia, May

Stanley, Michael: Ian Davenport: Between the Lines (catalogue), Art Plural Gallery, Singapore

'Between the Lines: A Q&A with artist Ian Davenport', City Nomads, 10 May

Ho, Darren, 'Fluidity in the Lines', August Man, June

Henkes, Alice: Ian Davenport: Recent Paintings, Works on Paper and Prints (catalogue), Galerie Andres Thalmann, Zurich

Campbell-Johnston, Rachel, 'Exhibitions: Now showing', The Times, Saturday 8 September, p.17

Barbero, Luca Massimo: Ian Davenport: Reflex

(catalogue), Giacomo Guidi Arte Contemporanea, Rome

Marelli, Marco Roberto: Route 66: Ian Davenport / Alberto Di Fabio (catalogue), Luca Tommasi, Monza

 

2013

Bray, Arthur: 'Ian Davenport "Colorfall" Exhibition @ Paul Kasmin', Hyperbeast¸ 8 October

Longo, Paul: 'Ian Davenport's Colorfall at Paul Kasmin Gallery', Musee, 8 October

'Colorfall', Vogue Mexico, September

Donoghue, Katy: 'Focus: Ian Davenport', Whitewall, Fall

Gleadell, Colin: 'Market news', The Telegraph, 15 October, p.30

 

2013

Garratt, Sheryl: 'The Bright Side', Telegraph Magazine, 31 May

Monograph review, Art Quarterly, June

'Ian Davenport: Colourfall', Icon Online, 4 June

Phillips, Sam: 'Our pick of this week's art events: 6-12 June', RA Magazine, 6 June

Ellis-Petersen, Hannah: 'Artist Ian Davenport launches Colourfall, his first UK retrospective', The Guardian, 10 June

'Waddington Custot Galleries opens exhibition of recent paintings by Ian Davenport'

'Ian Davenport's colourful line-up at Waddington Custot Galleries in London', Wallpaper* Online, 13 June

Wright, Karen, 'Ian Davenport: Painter', The Independent Radar, 14 June

Wullschlager, Jackie, 'Ian Davenport: Colourfall' (review), Financial Times, 14-15 June

'Colourfall by Ian Davenport at Waddington Custot Galleries, London', London Art Reviews Online, 19 June

Wullschlager, Jacki,: 'Vivid or vapid?', Financial Times, 21-22 June

'Optics, Pop and Colour: Bridget Riley and Ian Davenport', Candid Magazine Online, 30 June

'Pour Boy', Artists & Illustrators, July

Monograph review, Christie's Magazine, July

Lambirth, Andrew, 'Mixed blessings', Spectator, 5 July

Monograph review, World of Interiors, September

'Colour intuition', British Museum Magazine, Autumn

Artist page, The-Art-Form, September, pp.4-15 (front cover image)

Cahill, James, 'Recent Exhibitions', The Burlington Magazine, October, p.692

Filler, Martin and Michael Bracewell. Ian Davenport, Thames & Hudson, London

 

2014

'A Different Stripe', Bazaar Talking Points, 11 February

'As cores de Davenport chegam a Sao Paulo', O Estado de S.Paulo, 23 May

 

2015

'Davenport: Colore, linea e superficie', Arte, 4 May

 

2016

'Lady Dior Art: quand le it-bag se transforme un objet d'art', Grazia (France), 2 December

'The Lady Dior Bag gets the Modern Art Treatment', Harper's Bazaar (USA), 4 November

'Dior plans to open a Lady Dior Art pop-up space in Beverly Hills', Los Angeles Times, 4 November

'What to expect from this year's Art Basel Miami Beach', The New York Times, 29 November

'Enter Dior: 7 Artists take on the Iconic Lady Dior bag', W Magazine, 4 November

'Dior Lancia un progetto artistico dedicato alla borsa Lady Dior'. Vogue.it (Italy), 4 November

'Dior Lady Art', ifeng.com, 14 November